![]() Suman Kalyanpurs Haale dil unko sunana tha sunaya na gaya and Latas Haale dil yun unhe sunaya gaya are both incredibly beautiful. I have been reading your blog, but this is the first time I am posting my comment.įirst, my compliments for your excellent blog and bringing alive the music of the golden era which gave us such an unforgettable joy. Yet her best is no inferior to any singers best, and she is one of the great singers of the golden era. Her songs with female singers occupy a special place in Hindi film music, and they easily rank among the best of the type. While many of her duets with Rafi are breezy in SJ or LP style, there are several others which are extremely soulful and melodious. One can uncharitably say that these songs came her way fortuitously because of some rift between Rafi and Lata during that period.īut even if you take out all the songs which may sound Lata-ish, you still have a large number of duets in which she adds something distinct, beautiful and everlasting. ![]() Here is a list of some of Suman Kalyanpurs all time great solos. Leaving aside her Lata-type songs, there are several others which have similar beauty and her distinct style that leave a lasting imprint. ![]() Yet you feel Lata is trying too hard, and it is Suman Kalyanpurs song that lingers in your memory. Thus you have Latas own Haal-e-dil written by another top lyricist Rajendra Krishna, and composed by the King of Ghazal, her own Madan Bhaiya. My conjecture is Lata must have been so astonished to hear Suman Kalyanpurs beautiful Haal-e-dil that she would have been dying to outdo this song. This should surely rank as one of the great songs of the golden era where everything lyrics, music and the voice are superb. ![]()
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